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Short Story Editor

Want to submit or publish your short story? It’s my goal as a developmental editor to help you find gaps in elements of craft. I'll provide experienced editorial guidance to help provide the best reader experience, as well as help you meet your goals for your work.

You'll receive an editorial letter and notes on what is going well and which elements of craft need more development or clarification: Character, Setting, Theme Point of View, Action/Conflict, and Dialogue. These editors' notes by scene and an editor's letter also come with a complimentary consultation online or by phone. Developmental editing is .012 per word or $14 per page. 


From the first line


Client 1

Character and Setting are key to rooting your readers into the narrative of your short story. Setting is one of your Characters! The protagonist or main character must change and make debateable choice (s) in the story as well as have conflict either internally or externally or both to move the action forward.

Client 7


Each story has its own style and form with scenes, micro scenes, and a careful weaving of point of view from the protagonist. A short story means that every choice for the author feels important, and it is. Revising for the theme can help your story feel like it has a natural consistent voice and style, keeping your reader in the moment as they take this short journey with you. A good story can make the reader feel as if they've watched a whole film, or read a whole novel-- that's because of the point of view leaves room for the reader's imagination yet also remembering what they need to know and how to treat them as brilliant readers without keeping secrets from them. It's a relationship I can help you build into your writing.

Client 8


The most important thing I look for in a short story is how the action and conflict, even the back story, are relayed through creative natural dialogue.  Does the story use these tools to do more with less? This is where everything hinges on revealing who your characters are and how they relate to their world. The short story plot must have enough conflict and resolution to give the reader a sense of wonder or closure, even to the point of an enjoyable reread. To me, short stories are like a slice of pie. They need layers of structure and opacity as well as a recognizable form that tells us the beginning, middle, and end.


"There's something open and inviting about [what you do] ... What zeal, enthusiasm, and energy!  Brava!"



"[Your editor's notes] It's some of the best news I've received in a long time!" Brian 


"Wow, thank you so much . . . [your editor's letter] was incredibly helpful! I appreciate your detailed feedback, line notes, encouraging kind words.... I'm working hard with the next draft! Soon, I can soon recommend you..."  Adam


"Polly helped me with a draft ... manuscript and her deep knowledge of fiction writing and character were so illuminating that I've spent years benefiting from her insights. She can decisively get to the heart of a narrative's weakness and help invent solutions."



"It was really good talking to you...You gave me good advice and a lot of encouragement. Thanks very much." J. Atherton

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